Channel: David Magyel

Category: Education

Tags: jazz piano tutorialblues piano tutorialdavid magyelbebop piano tutorialjazzday 1 piano lessonsound of emotionsimprovisation30 day piano challengepianotutorialsmixolydian scale30 day piano practice challengebarry harrisfreelessons

Description: Today we learn how to play C, F, and G Mixolydian Scales. And if you are ready for an extra challenge, you can already start applying these scales over C Jazz-Blues. 30 Day Jazz-Blues Piano Challenge Book: bit.ly/jazzbluesbook Day 1 - Mixolydian Scales Over Blues 0:00 - Level 1: The Mixolydian Mode 00:31 - Level 2: Mixolydian & Major scale over C Jazz-Blues 1:05 - Level 3: Mixolydian & Dorian scale over C Jazz-Blues 𝐂𝐨𝐦𝐩𝐥𝐞𝐭𝐞 𝐏𝐢𝐚𝐧𝐨 𝐈𝐦𝐩𝐫𝐨𝐯𝐢𝐬𝐚𝐭𝐢𝐨𝐧 𝐂𝐨𝐮𝐫𝐬𝐞 𝐟𝐨𝐫 𝐁𝐞𝐠𝐢𝐧𝐧𝐞𝐫𝐬, 𝐈𝐧𝐭𝐞𝐫𝐦𝐞𝐝𝐢𝐚𝐭𝐞 𝐚𝐧𝐝 𝐀𝐝𝐯𝐚𝐧𝐜𝐞𝐝 𝐬𝐭𝐮𝐝𝐞𝐧𝐭𝐬: soundofemotions.com My Sheet Music store bit.ly/sheetmusic-shop My Music: fanlink.to/soundofemotions skaar.bandcamp.com/music Instagram: instagram.com/davidmagyel --------------------------------------------------------------------------------------------------------------------------------------------------------------- Lesson Notes: Level 1 - Beginner: To complete this lesson, all you have to do is get familiar with the Mixolydian Mode: 1, 2, 3, 4, 5, 6, b7, 1. If you manage to play C, F, and G Mixolydian scale, you are good to go! Level 2 - Intermediate: Learn to play Mixolydian scales over C Jazz-Blues. (This scale etude is inspired by the Barry Harris Method. To dig deeper, search for this video on YouTube: Things I've Learned From Barry Harris - Episode 1 Scales on the Blues) C7: C Mixolydian Scale F7: F Mixolydian Scale G7: G Mixolydian Scale Dm7: G Mixolydian Scale Cmaj7: C Major Scale Level 3 - Advanced: Here is another common way to play C Jazz-Blues Chord Progression. C7: C Mixolydian Scale F7: F Mixolydian Scale G7: G Mixolydian Scale Dm7: Dorian Scale - 1, 2, b3, 4, 5, 6, b7, 1 (D, E, F, G, A, B, C, D) Em7b5 & A7: D Harmonic Minor Mode V - 1, b2, 3, 4, 5, b6, b7, 1 (A, Bb, C#, D, E, F, G, A) Playing a D Dorian Scale over Dm7 does not make the exercise more advanced - it is simply another approach to look at minor7 chords. Thanks for watching! See you soon, David Magyel